J Am Acad Audiol 2006; 17(06): 398-412
DOI: 10.3766/jaaa.17.6.3
Articles
American Academy of Audiology. All rights reserved. (2006) American Academy of Audiology

Effect of Type of Noise and Loudspeaker Array on the Performance of Omnidirectional and Directional Microphones

Michael Valente
,
Karen M. Mispagel
,
Juergen Tchorz
,
David Fabry
Further Information

Publication History

Publication Date:
07 August 2020 (online)

Differences in performance between omnidirectional and directional microphones were evaluated between two loudspeaker conditions (single loudspeaker at 180°; diffuse using eight loudspeakers set 45° apart) and two types of noise (steady-state HINT noise; R-Space™ restaurant noise). Twenty-five participants were fit bilaterally with Phonak Perseo hearing aids using the manufacturer's recommended procedure. After wearing the hearing aids for one week, the parameters were fine-tuned based on subjective comments. Four weeks later, differences in performance between omnidirectional and directional microphones were assessed using HINT sentences presented at 0° with the two types of background noise held constant at 65 dBA and under the two loudspeaker conditions.

Results revealed significant differences in Reception Thresholds for Sentences (RTS in dB) where directional performance was significantly better than omnidirectional. Performance in the 180° condition was significantly better than the diffuse condition, and performance was significantly better using the HINT noise in comparison to the R-Space restaurant noise. In addition, results revealed that within each loudspeaker array, performance was significantly better for the directional microphone. Looking across loudspeaker arrays, however, significant differences were not present in omnidirectional performance, but directional performance was significantly better in the 180° condition when compared to the diffuse condition. These findings are discussed in terms of results reported in the past and counseling patients on the potential advantages of directional microphones as the listening situation and type of noise changes.